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c. 1445 – May 17, 1510. Italian painter.

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Pompeo Batoni
Emperor Foseph II and Grand Duke Pietro Leopoldo of Tusany

ID: 39739

Pompeo Batoni Emperor Foseph II and Grand Duke Pietro Leopoldo of Tusany
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Pompeo Batoni Emperor Foseph II and Grand Duke Pietro Leopoldo of Tusany


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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe.  Related Paintings of Pompeo Batoni :. | Nico left, Prince | Vulcan in his Forge | Holy Family | Ritratto del Principe Abbondio Rezzonico | Alexander Darius and Family |
Related Artists:
WEENIX, Jan
Dutch painter (b. 1642, Amsterdam, d. 1719, Amsterdam).
Kate Elizabeth Bunce
English Pre-Raphaelite Painter, 1856-1927
Willem Claesz Heda
1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).






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